8/9/2023 0 Comments Roger deakins shots![]() The whole process of blocking and rehearsing scenes went on for four months. Every single line of dialogue had to be rehearsed on location. They started rehearsing at Shepperton Studios near London and then moved to the sets. But for "1917," walkthroughs were happening well in advance. According to Deakins, on most films, these rehearsals can take place the day of shooting. While all films require rehearsals, the process for "1917" was much longer and more rigorous. In an interview with Vox, Mendes said they wouldn't build a set until they knew exactly how long it should be. So, if a scene and shot lasted eight minutes, it had to take exactly that long to get through that specific area. Every scene had to be the exact length of the land. As some of the most action-packed and challenging shots happen in these narrow pathways, it was crucial to measure everything. Perhaps most impressive of all was the 5,200 feet of trenches the crew had to build. One window was built to come apart so that the camera could pass through it. Meanwhile, tunnel entrances had to be the exact right length to accommodate the camera and their cuts. Ramps allowed the camera to pass from no man's land into the lower German trenches. For example, the barbed wire the two soldiers walk through in no man's land had angled pathways so the camera could get through. ![]() Each set needed to be able to accommodate the camera's path. The art department built realistic sets from scratch. Seeing the landscapes and sets in person was just as important for getting the entire continuous shot down. So they tested it on a mini-model of the city with a light contraption that traced which directions the shadows would move and how light would fall through the buildings' windows. Because the flares were the main source of lighting for certain shots in this scene, the crew needed to time exactly how long the flares would be in the air. Take the scene where Schofield runs through a destroyed city. The models helped the crew see how the overall scene should look. Here is the model they built, and here's how it appeared in the movie. For example, the crew built models of every single set, like this farmhouse that the two soldiers visit. Getting the camera right up in the soldiers' faces as they moved through long, narrow trenches was a major aspect of that.įirst off, because of all the long takes the crew would be shooting, "1917" required even more preparation than the average movie. Narrator: Director Sam Mendes wanted to create an immersive experience and put the audience in the shoes of a British soldier fighting in World War I. Roger Deakins: I mean, this is not a sort of style of filmmaking that is right for very film. Deakins earned a reputation as one of the greatest cinematographers alive today thanks to his masterful work on movies like "Skyfall" and "Sicario." He earned the best cinematography Oscar for "Blade Runner 2049." Who was up for this daunting task? Cinematographer Roger Deakins. One of the earliest examples of a "one shot" film was Alfred Hitchcock's "Rope." A more recent example is "Birdman." "1917" pushes it a step further with its persistent action and the constantly changing terrain. While this has been done before, "1917" presented many new challenges for the filmmakers. ![]() It was not actually shot in one take, but rather a series of continuous, uncut shots that were then cleverly connected to give the feeling of one long take. The entirety of "1917," a drama set during World War I, follows a pair of young soldiers trying to deliver a message to stop an attack. Getting it right required precise timing, the highest level of planning, and some incredibly clever shooting and editing. This is just one of the many crafty ways the filmmakers made the movie look like it is all just one single shot. However, if you look behind the scenes leading up to this, the camera crew had to chase after George by jeep, motorcycle, and even by foot as the actor then jumped off a ledge onto a mat, which was cobbled together with another shot of the character jumping into a river. ![]() It seems like just one long, continuous take. Narrator: This shot from "1917" shows Lance Corporal Schofield, played by George MacKay, running through a destroyed town and jumping off a high ledge into a river. It often indicates a user profile.įollowing is a full transcript of the video. Account icon An icon in the shape of a person's head and shoulders.
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